Today I’m handing the blog over to Ruth Nestvold, a Nebula Award nominee and author of the upcoming release Island of Glass, for a cover reveal. Her story contains elements from Cinderella, and I love fairy tale retellings, so this one is definitely my cup of tea. Hope you enjoy the excerpt included below!
Without further ado, here’s the cover:
Seventeen-year-old Chiara Dragoni is a master glassmaker of Venice, a position that is both a privilege — and a trap. For the glassmakers of Murano are forbidden to ever leave the islands of the Venetian lagoon.
When Chiara’s uncle is caught on the mainland and thrown into the dungeon of the Doge’s Palace, she must use all her talents, including magic, to help free him. But the gift she creates for the ruling prince of Venice has unintended consequences, and now Chiara must decide whether to give up everything — and everyone — she knows and loves in order to save her dream.
Set in an alternate historical Venice with alchemists, witches and magic, the story uses familiar motifs from the beloved fairy tale “Cinderella” to tell a tale with a very different message.
Island of Glass is a Young Adult fantasy novella of approximately 25,000 words, or 100 pages. It is the first book in The Glassmakers Trilogy.
Now available for pre-order for an introductory price of only 99c!
The prince chuckled, placing the second slipper next to its mate on the gilded side table. “Most young women scheme for the opportunity to be alone with a prince of La Serenissima. Yet here you are, offered the chance, and you turn it down.”
Chiara didn’t know what to say. She could only hope that beneath his smiles and chuckles he wasn’t offended. Her plan to gain the prince’s favor was backfiring badly.
“Talented, beautiful, and unusual,” the prince continued. “And quite rich as well, I presume?”
She could tell from the heat of her cheeks that they must be flaming by now. She nodded mutely.
He raised one expertly plucked, aristocratic eyebrow. “And you want me to free your uncle.”
She almost heaved a sigh of relief at his change of subject. She hoped that was the end of his attempts to flirt with her; flirtation was not one of Chiara’s strong points. “The Fenice Glassworks cannot be run properly without Gianfranco Dragoni,” she said. “Surely the Council of Ten cannot wish for such a situation. The taxes we pay are an important source of revenue for Venice, after all.”
He didn’t answer, staring instead at the matching glass slippers. “I wonder if they would fit me. They look to be my size.” He glanced at her again with a suggestive smile. “As if you knew me intimately, my dear.”
Oh, no, she hoped he didn’t intend to actually try the slippers on! They were decorative, not meant to be worn. If they broke and cut his princely foot, he would probably throw her into the prison of the Doge’s palace right alongside Uncle Gian.
He sank into the nearest lavishly upholstered chair and snapped his fingers. “Remove my shoes,” he said to the servant who appeared at his side.
Chiara watched the proceedings, trying to remain composed, given her panic at what would most likely happen next.
Ruth Nestvold’s short stories have appeared in numerous markets, including Asimov’s, F&SF, Baen’s Universe, Strange Horizons, Realms of Fantasy, and Gardner Dozois’s Year’s Best Science Fiction. Her fiction has been nominated for the Nebula, Tiptree, and Sturgeon Awards. In 2007, the Italian translation of her novella “Looking Through Lace” won the “Premio Italia” award for best international work. Her novel Yseult appeared in German translation as Flamme und Harfe with Random House Germany and has since been translated into Dutch and Italian. It is now available as an ebook in the original English.
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